Thursday, 8 May 2014

Individual Self Evaluation

Liverpool Documentary Project
The concept for our Liverpool documentary project was to explore the facts that Hitler had lived in Liverpool for around 4 months in 1912, exploring both sides of the debate as evenly as possible presenting the topic openly using the information we obtained. Creating a natural response in the audience that hopefully, but depending on our findings, would be predominately unbiased. Our inspirations for this project were largely intimate interviews achieved through camerawork, we were impressed by the low key lighting and how effective the combination of static mid shots and panning close ups during the interviews seen in the documentary “Band Of Brothers” were, we intended to attempt to create a similar tone for our interviews. Emotionally engaging with integrity through diverse sources, the stylish yet incredibly intricate presentation of information in Nick Broomfields: “Biggie and Tupac”, was influential in creating a sense of mystery throughout our work. Our target audience was really anyone interested in history in general or more specifically that era or Hitler himself, we expected the audience that would find it interesting to most likely be aged between 20-60 years old, but considering it would most likely only be seen on YouTube, they would be more likely aged between 25-45.

Our final product of work I think looked very professional all things considered and stands up well. I think our interviews were strong in the sense that we had a good range of people, from locals who had heard the rumours and journalists and historians who had a decent reputation in the field. I think the interviews were let down by that fact that they are a bit rushed, we had to cut out so much information purely because of time constraints and I think that very fast pace of cuts between people combined with little bits of missing info lets it down a little in that respect but not too much. If I was to do this again I think we could have done with a few more cutaways and footage for over the interviews but in the 5 minute time limit I think we got away with it. Also I think if the time limit was longer we could have used a voiceover with a bit of clear backstory at the beginning, but apart from this I’m very proud of this piece and enjoyed working on it both for the actually project and the people I was working with.

The process was very simple and we didn’t really experience many major problems at all. Our main issues were that we didn’t have enough people in the crew or equipment to go out and get everything that we wanted, we just didn’t have the time to interview everyone that we had contacted but we got more than enough footage and sound for the 5 minute time limit. Because our producer was so efficient in his planning and we all stuck to the schedule pretty tightly, nothing really worked out differently to what we had previously planned. I was the audio editor on this project but due to our visual editor injuring himself during the post-production stage, I was left to edit a significant amount of the visuals as well. The sound aspect of this project wasn’t too demanding or time consuming, as it was pretty straight forward in that it was mainly just adjusting volumes and editing out certain things like passing cars and electrical interference. The visuals were fairly clear cut as well, apart from the odd effect that I had never done before, everything was very straight forward conventional editing for a documentary.

Over the course of this project I have learnt a few things in the editing process that I had not done before, such as panning across still photographs and inputting titles over the shots for the names of the interviewees. Apart from that, everything I did in editing I had done at least once before but I found it very useful to jog my memory and get better at it, like removing background fuzz from the audio and clean it up in places, for example, lessening the noise of passing cars and voices. I have developed what skills I have in editing in general by editing this project both on the audio and visuals. I have improved what knowledge and skills I have in using different software for editing but the audio especially, as I edited most of the audio as I was going along in Final Cut Pro and then locked the picture and bounced the audio into ProTools, tweaked it a bit and then had to remove background fuzz and electrical interference using Soundtrack Pro and then finish it off again in ProTools. I then exported all the audio for the film as one track and imported it back into Final Cut Pro alongside the video.

I think our group for the most part worked really well as a team, I think that this early on in the course the majority of people are desperate to prove themselves, which can in some cases, cross the line a little with people trying to take too much control of the project and interfere with other peoples roles, which of course causes issues. Knowing this from a previous project I decided to step back and let everyone else get on with their own roles as I had seen at least some work from everyone before trusted pretty much everyone to do a good job. Our group was made up of seven people as opposed to six so we needed another role, we decided to have an assistant director which in the end was pointless as our director was very committed and enthusiastic about the project and didn’t really need any assistance, this, along with the fact that our AD had already decided to drop out of the course and wasn’t really very committed at all. Overall I have learnt who I work well with and who I don’t as much.

Drama Project
Amber knows that her boyfriend is a successful small-time drug dealer, but with her own musical career failing to take off and provide, she is forced to stay with him and turn a blind eye to his activities. As her personal life becomes increasingly embroiled in his dangerous operations, and menaced by the growing fear of being caught with him, she can no longer distance herself from the criminal lifestyle and must search for an escape. We took inspiration from several TV programs for this short film project, one of which was an episode in the four part series ‘Run’ featured on channel 4, in which the main character decides to report her sons to the police for accidently killing someone in a random act of violence. From this we took inspiration from the shoulder rig shots, where they are stable enough to not be too uncomfortable to watch but there is a sense of unease, we also took the blue flashing light on the protagonists face idea and foreshadowed it several times throughout the film. Our intended audience was for people of both genders between the ages of 17-55, as there are references of drugs and the mistreatment of women that might make people of an older generation feel uncomfortable. 

I think that we were successful in obtaining some decent actors for our project, I think they both worked well together and felt comfortable and I think this shows in our work. I think the use of foreshadowing the blue police light was effective and was done with a decent level of subtlety and taste. I think we had a decent concept and we were effective in conveying the story efficiently within the time limit and I feel that it flows well and has a decent pace to it for something that had to be ruthlessly cut down in editing. I like the fact that we don’t really know of see Dean properly until he is caught at the end and I particularly like the shot in which he is just a shadow on the wall. I think we could have done with a more dramatic end scene in which we see Dean being arrested by the police on the bonnet of the car as he looks up at amber or something like that. I personally think that we couldn’t fit enough footage into the time limit and that we didn’t have enough time to build up the characters much or convey enough background.

The process started with some group meetings in which we brought several ideas forward developed them together and then decided on the one we used, we came up with some ideas for scenes and particular shots, sent some inspirations over Facebook and developed it until we were ready to put a shot list, script and schedule together. We then started casting for the two roles. It took 2 days to film and then a day to re shoot everything we needed. The director, sound editor and I edited the project. A few things changed from the planning stages due to people being unavailable or we didn’t have enough cars to move all the equipment, or scenes were unnecessary and we couldn’t fit into the time limit. As we had transferred the footage to hard drive before importing it straight to final cut pro, we were then unable to import it to final cut pro due to a loss of metadata, so we had to edit the projects visuals on Sony Vegas, which I had never used before. The audio was edited on Pro Tools and imported into Sony Vegas later.

Over the course of this project I have learnt that if we are using Final Cut Pro, to log and transfer the footage directly from the camera immediately otherwise we will not be able to edit on that program and that’s a problem when it’s the only one available that you know how to use. I have learnt how to edit footage and basic sound on Sony Vegas as a result of this problem though. I have learnt how to colour correct shots to a fairly decent standard now and have also developed better timing in my cuts as to improve how it flows and experiment with pace in the film. This is the first time I have really experimented with foreshadowing in a film and I personally think that it worked well in this project. This was the first time that I have taken part in blocking out scenes prior to actually filming and created pre-arranged set up points for the camera positions, this is also the first time that I have actually cast people with acting experience before which was quite interesting.


As a team I think this group worked really well together, we have had absolutely no problems at all, everyone has got stuck in and has been really enthusiastic about it and has played their part well, everybody has done their own job well and has stuck to their roles, doing everything that was required to a decent standard. I’d like to think that my strengths in teamwork are in communicating, I always make sure that everyone is happy doing what they need to do and are comfortable, I’m usually pretty to the point but not so much that it makes people feel uncomfortable. My weaknesses in teamwork are usually trusting people to do a decent job but in this case that was not an issue, I think I could improve my teamwork skills by trusting people a bit more.

Overdose - Rough edit

Re-Shoot List

SCENES TO SHOOT
● Running out of house after argument -> SLAM DOOR -> SHOT FROM AT SIDE OF HOUSE
● Club scene in studio

SCENES TO RE-SHOOT
● Opening car scene - JESS DIFFERENT COAT -> CAR ON DRIVEWAY -> JESS ENTERS AT START. Has map out or address with phone. REMEMBER HAND ON THIGH AT END
● End car scene - SLO-MO SHOOT TOO. LOCK CAR AS DEAN WALKS BACK. Dean walks away. Amber looks at phone and behind her Looks up, he’s not there. Knock on the other window. Pan down to see keys. Looks back forward.
● Entering kitchen - LIGHT FROM BEHIND DOOR. MORE BLUE LIGHT IN KITCHEN. Shot down corridor, walks into it. More shocked + rising anger

EXTRA SCENES TO RE-SHOOT
● Jess with guitar on bed - TUNING GUITAR -> LOOK UP WHEN HEAR MUSIC -> CUT TO LANDING
● SLEEPING SCENE - More light + more distressed (shutting eyes, pulling duvet over her)

DIALOGUE
● OLLIE - Speech in room
● People in kitchen

SOUND LIST
● Car engine OR CAR HORN
● Music downstairs
● Ollie going upstairs/shutting door
● House alarm

PROPS
● High-vis jacket
● Torch with blue filter
● Map?
● Package

Thursday Filming schedule

9.40 – Meet at Sheffield train station
10.06 – Get train to Elsecar
10.25 – Arrive at Elsecar
10.30 – Walk/Get lift to house (34 Shire Oak Drive)
11.00 – Start filming
1.30 – BREAK FOR LUNCH
2.00 – Filming
5.00 – Film the scene in the car
6.00 – Travel to country lane location (5mins) and start filming
7.00 – Return to house and film night time scenes
8.30-9pm – Finish filming and get a lift to train station
9.34 – Get train back to Sheffield
9.55 – Arrive in Sheffield

Tuesday Filming schedule

9.40 - Meet at Sheffield train station (Jess, Jake, Chelsie, Harry, Luke)
10.06 - Get the train from Sheffield to Elsecar
10.25 - Arrive at Elsecar train station
10.30 - Get picked up from train station by Emily
10.40 - Arrive at the house - (34 Shire Oak Drive)
11.15 - Start filming scenes with Jess.
1.30 - BREAK FOR LUNCH
2.00 - Filming with Jess
4.06 - Get the train from Sheffield to Elsecar (Scott)                       
4.25 - Arrive at Elsecar train station
4.30 - Get picked up from train station by Emily
4.40 - Arrive at the house
5.00 - Film scenes with Scott and Jess and evening scenes (Door scene and kitchen)
8-9pm - Wrap up shoot and walk/get lift to Elsecar train station (Everyone)

Trains after 7pm: 7.35, 8.36, 9.34

Equipment List

Budget

Overdose costume list

Scene 3 - Coming Home
●     Amber - Standard clothes 1
●     Dean - Standard clothes 1
Scene 4 - Man at Door
●     Amber - Clothes 2
●     Man at Door - Clothes 1
●     Dean - Standard Clothes 2
Scene 7 - Guitar
●     Amber - Tracksuit/Relaxed wear
●     Dean - Standard Clothes 2
●     Man at Door - Clothes 2 (If he’s in this scene)
Scene 10 - Trashed House
●     Amber - Tracksuit/Relaxed wear + Dressing gown (and/or pyjamas)
Scene 11 - Meeting Someone
●     Amber - Clothes 3 - Jeans/Leggings + Coat (?)
●     Dean - Standard clothes 3 (Black jacket that could be worn by Emily whilst driving)
Bar scene - Inserts
●     Amber - Nicer clothes
●     Dean - Smart clothes

Amber - Change of hair and makeup between scenes to indicate different days and moods.

Overdose Script

Overdose Script.pdf

Overdose Prop list

· Striped or distinct plastic bag
· 2-3 shoeboxes 
· Bundles/wads of fake money 
· 4-6 old phones 
· Amber’s phone 
· Dean’s phone 
· Clear plastic ‘baggies’ 
· Shopping bags and groceries 
· Notepad 
· Man at door crumpled note 
· Amber’s guitar 
· Cans/bottles of alcohol 
· Takeaway food packaging 
· Concealed paper package for bar scene 
· Amber’s suitcase 
· HDMI Cable and Laptop for Blue Screen on TV? 
· Baking powder/flour for powder in bag.

Casting Potentials

Amber
●     [Chelsie] Amy Rebecca Manly - Blonde - Sheffield
●     [Chelsie] Jess Louise Toyne - Dark Haired - Sheffield
●     Jessica Kate Widdowson – Blonde Hair 18 years old
Dean
●     Scott Thomasson - https://www.facebook.com/The.Scott14
●     Ollie Daly-Smith – 19 years old
Man at door
●     Craig Green – 23 years old

●     Scott Thompson

Original Shot List

SCENE 1 - Amber in car
1. MCU - Amber looking out of the car with blue light and movement in reflection

SCENE 2 - Amber and Dean travelling in car
1. MS - Amber and Dean from behind as the car is moving. Dean reaching into his pocket.
2. CU - Dean reaching into his pocket and pulling out plastic bag.
3. MCU - Dean putting the plastic bag on Amber’s lap.
4. CU - Amber starting to open the bag - see drugs inside.
5. MCU - Dean putting bag into glovebox
6. CU - Amber reaction looking at Dean - ‘Where are you taking all that?’
7. (ALT) CU - Dean’s eyes in the mirror - ‘We’re meeting someone, soon’
8. MCU - Dean speaking from behind
9. (ALT) CU - Dean’s mouth from side as speaking
10. (ALT) CU - Amber looking forward at the end from inside/outside her window

SCENE 3 - Dean and Amber arriving home
1. MLS - Down hallway. Amber and Dean enter house. Dean goes upstairs, Amber walks towards kitchen.
2. MS - Amber puts bags down in kitchen on table.
3. CU - Amber seeing phone and notepad on table.
4. CU Over shoulder - Amber’s hand picking up the phone and tearing note. Walks out of shot.
5. (ALT) MS - Amber walking out of kitchen
6. (ALT) MS - Amber walking up stairs
7. MCU - Camera inside wardrobe as she opens it.
8. MCU Over shoulder - Amber selecting a number of shoeboxes before pulling one out.
9. CU - Open shoebox and put phone inside
10. MCU - Camera inside wardrobe as she shuts it

SCENE 4 - Man at the door
1. CU - Amber scrubbing a stain off a plate by kitchen sink
2. MS - Amber shown by sink in kitchen - knock at the door. Amber turns.
3. MCU - Outside kitchen window - Amber walks away to door
4. (ALT) - Shot through the peephole
5. (ALT) - Amber looks through side window to see man
6. CU - Amber undoes chain lock and bottom lock
7. MCU - Amber opens door slightly and speaks to man
8. CU - Man puts foot in house as she shuts door.
9. (ALT) CU - Man puts hand on door as she shuts it.
10. CU - Amber’s reaction.
11. MLS - Amber putting back against door from down hallway or upstairs.
SCENE 5 - Amber tells Dean
1. CU - Amber’s hand opening the door-handle.
2. MLS - Amber walking into room and standing in door frame.
3. (ALT) MS - Inside room watching door shut
4. CU - Door shutting, Amber walks out of frame

SCENE 6 Part 1 - Guitar in Room
1. CU - Tightening guitar strings
2. MS - Amber on the bed
3. CU POV - Song lyrics on the bed + writing
4. CU - Hands moving on to guitar
5. MCU - Amber looking up after hearing music
6. (ALT) MCU - Amber on bed
7. (ALT) MLS - Whole scene from wide - to walking out of room
8. MCU - Amber looks up after hearing noise

SCENE 6 Part 2 - Downstairs
1. Tracking shot - Amber walks out of room
2. LS - Amber stood at top of stairs filmed from bottom
3. Over the shoulder - Top of stairs looking down, Amber walks into frame
4. CU - Amber’s feet coming down stairs
5. CU - Amber’s hand on banister
6. Tracking shot - Behind Amber walking towards door
7. Tracking shot - In front of Amber walking towards door
8. CU - Feet walking towards/backing away from door
9. CU - Amber’s face walking towards door
10. MCU - Gap in kitchen door

SCENE 7 Part 1 - Argument in bedroom

SCENE 7 Part 2 - Storming outside
1. CU - Amber feet running down the stairs
2. Tracking shot - Shaky following Amber to door
3. CU - Undoing locks and opening door
4. CU - Door slamming
5. (ALT) - Wide shot outside watching Amber walk round to side
6. MLS - Behind corner watching Amber come round corner
7. CU - Amber getting phone out pocket
8. CU - Amber’s face, quickly wiping tears
9. ECU - Amber’s fingers hovering over keypad
10. (ALT) - Side profile MS - Amber against wall.
11. (ALT) CU - Crossing legs awkwardly

SCENE 8 - Amber in bed
1. MCU - Amber’s head and torso in bed looking out of window
2. (ALT) MS - From above, Amber and Dean in separate parts of the bed.

SCENE 9 - Living room in morning
1. Wide shot MS - Amber enter’s room and looks around. She sits down on the sofa
2. CU - Bottle kicked over as she walks across room
3. (ALT) CU Amber’s face staring at blue screen.
4. (ALT) CU Junk on table and floor


SCENE 10 Part 1 - Amber Packing for car
1. Over the shoulder - Amber shutting and zipping suitcase
2. (ALT) CU - Zip shut
3. Wide angle MS - Outside room looking in at her standing over suitcase.
4. CU - Hands gripping handle
5. MCU - Amber hears the car engine

Overdose Film Treatment

Drama Film Treatment - 'Overdose'

Film Treatment

Title: ‘Overdose’

Genre: Short contemporary drama

Duration: 5-6 minutes

Main Characters:

Amber – young, Northern English, lower-middle class woman (20-25 Y.O). Been in a relationship and living with boyfriend Dean for 1-2 years. Struggling musician.

Dean – slightly older, Northern English, working class man (25-30 Y.O.) Small-time cocaine dealer paying for Amber’s expenses.

___________________________________________________________________________

Short Synopsis:

Amber knows that her boyfriend is a successful small-time drug dealer, but with her own career failing to provide she is forced to stay with him and turn a blind eye to his activities. As her personal life becomes increasingly embroiled in his dangerous operations, and menaced by the growing fear of being caught with him, she can no longer distance herself from the criminal lifestyle and must search for an escape.

Narrative Development:

The film mostly takes place from Amber’s point of view within the confines of the house she shares with her boyfriend, the central focus being her growing feelings of fear, anxiety, entrapment and isolation.

At the start of the film we see a shot of Amber’s face, wide-eyed looking out of a car window – the glow of a bright blue light sweeping across her and a blur of indistinguishable movement visible in its reflection. Ambiguous sounds of shouting and sirens build to a crescendo as we cut to Amber and her boyfriend in a car. Thinking she was being driven to her parents’ house, Amber is told they are actually travelling to an unknown location to meet someone as part of an ‘important deal’.

Before they arrive we cut to the past where most of the narrative takes place – a series of elliptical scenes providing context about her situation and leading up to the car journey. We see Amber meet her boyfriend for the first time in a club, we see her being used as a courier as part of his operations, and we see his growing neglect and mental abuse of her as she confronts him about his growing disregard for trying to hide his criminal activities.

Early in the film Amber answers the door to an unknown person who is looking for someone she does not recognise. Later she sees someone looking in through her window and going round the back of her house, and in another scene a man invites himself in to search for something – representing in sequence the gradual intrusion into her own personal life. In one of the final scenes we see the effects of this on her character. She is sitting in the house in silence, alone and terrified of whoever might be coming – her boyfriend, his dangerous associates or the police.

The penultimate scene takes place at dusk. Amber’s boyfriend comes off the phone after speaking with an unknown caller who has given him a remote location to meet him at to deal drugs. He calls Amber down from the bedroom; she has brought her clothes with her thinking she is being taken to her parent’s house. As they enter the car, the story rejoins the first scene of the film and we see them arrive at the remote rural location. Her boyfriend gets out of the car, phones the dealer and looks around for them. As he turns, he sees Amber on the phone inside the car. He walks over to the locked car door and tells her to open it, to which she refuses.

We see a final shot of Amber’s face behind the glass window as her boyfriend tries to open the door, a long take which lasts until a slow fade to black and the end of the film. The sounds of sirens begin to fade up, and the flashing light of the police car flares across the image. We hear her boyfriend shouting as he tries to make his escape. The car door opens and an off-screen police officer asks if her name is Amber. It is revealed that she set up a fake deal with her boyfriend to get him caught, her only way of being able to leave that life behind for good.

Stylistic Choices:

With the story focusing mainly on Amber’s mounting feelings of fear, anxiety and entrapment we will use the stylistic choices in the film, camera-work, set design, sound design and editing to express these themes. The sound design will be particularly prominent, using ambiguous and ambient sounds to mirror Amber’s emotions at certain points in the film – for example when she is alone in the house and in the last shot of the final scene. Music used will be minimal and used sparingly to underscore scenes of little dialogue.

The cinematography will also be thoughtfully composed to emphasise the themes of the film. A rigid, still frame will be used for the majority of the shots to express the idea of entrapment, and elements of mise-en-scene and set design which perform similar functions will be focused on for their connotative meanings. For example, a recurring motif in the film of a blue light will be used to both express Amber’s fear of being caught by the police and to foreshadow the ending scene. To establish her boyfriend’s drug-dealing occupation, some shots will contain related paraphernalia such as scales and ‘baggies’.

To maintain focus on Amber we will frame her boyfriend so as to not reveal his full face throughout the film. We will also avoid using his real name, Dean, and create an ambiguous identity for him by having the other people he meets call him by a number of different street names. We will communicate their relationship through their actions and behaviour; having him touch her thigh in the first scene for example to show both affection and control over her.

With the majority of the film taking place in Amber’s house, the set design and lighting of the location will be important. The house will have little in it besides for some basic furniture and some expensive electrical equipment as an indication of the payout from her boyfriend’s lucrative job. The floor and walls would likely be bare or worn to create an unsettling atmosphere, and most surfaces untidy and containing items relating to his criminal occupation. As a retreat from the business taking place downstairs, the upstairs bedroom would contain personal touches made by Amber, lights around a mirror, small photographs on a wall, a house plant, her instrument etc.

The house interior will have a low quality of light, casting shadows in some parts of the rooms which would mirror the darker themes of the film and express Amber’s feelings of entrapment in her life. This would contrast greatly with the remoteness and greenery of the rural environment at the end of the film, symbolising her freedom having finally escaped her old life.

Concluding Comments:

The film we have proposed fits the brief of ‘Journey’ well in both the literal sense of the car journey at the start and end of the film and the metaphorical sense in the development of Amber’s emotions and feelings throughout the film. Although simplistic in the characters and locations used, the film explores the interesting psychological impact of a relationship with a criminal as well as a number of broader themes such as fear, entrapment and secrets.